Recent Projects > Resonance and Resistance: Towards a Home Unbound Collaboration with Helen Frederick

Inseparable
woodcut, intaglio, screen print, and chine colle’ on custom made paper
38 x 30 in.
2024
In The Time Of Not Yet
screen print and chine colle’ on custom made paper
38 x 30 in.
2024
Not So Distant
screen print and chine colle’ on custom made paper
30 x 38 in.
2024
Pinnacle
screen print, lithograph, and chine colle’ on custom made paper
38 x 30 in.
2024
Reckoning
screen print and chine colle,’ with drawing on custom made paper
38 x 30 in.
2024
Weeds and Hardscrabble
screen print, lithograph, with drawing on custom made paper
30 x 38 in.
2024
What Does The Mountain Want
screen print, woodcut, and chine colle ‘ on custom made paper
30 x 38 in.
2024
Traces Left Behind
screen print, woodcut, and chine colle’ on custom made paper
30 x 38 in.
2024
Fighting the Reign of Pestilence
mixed media drawing and screen print on flax
48 x 36 in.
2024
Mosaic in Black and Red: In Search of Sacred Geometry
screen print on Somerset Black, edition of 15
19 x 28 1/2 in.
2024
Mosaic in Blonde and Brown: In Search of Sacred Geometry
screen print on Rives BFK, edition of 15
19 x 28 1/2 in.
2024
A Plague Year in Red and Black
lithograph and screen print on Japanese paper chine colled to screen printed Rives BFK
19 x 25 in.
2024
Armed for Pestilence
woodcut and lithograph on Rives Cream
24 x 18 in.
2024
Copper In Crabgrass
lithograph and screen print on Rives
18 x 12 in.
2024
Copper In Crabgrass
graphite on Strathmore drawing paper
18 x 12 in.
2024

Resonance and Resistance: Towards a Home Unbound” is a collaborative print project of Helen Frederick and Chris Mona. This project challenges the myth of the solo artist as someone who operates in isolated independence, and demonstrates the source of intuitive visual exchanges that lead to multi-dimensional associations, especially underscored in print media. Works from the 2024 series explore war and conflict, with the potential for resolution.

Much of this series has as its matrix Helen Frederick’s lush and tactile custom made paper. The main series features eight large scale sheets in pulp of black, red, and green. With the paper understood as body, the print elements seen as embedments and overlays.

The collaboratively-inspired images feature boulders as mountain refuges, and sites of both enlightenment, and pestilent war.

Side projects, feature lithography, screen print, and woodcut printed on tinted and black papers. “Mosaic in Black and Red: In Search of Sacred Geometry,” acknowledges dark times, but is imbued with hope in the transformative interactions of Frederick’s linear but expressive geometry, with ogee images from Indigenous Mississippian culture. A powerful woodcut of an arm cuts through a surround of beautiful but pestilent golden flies. Male and female arms appear as reliquaries of power, resistance, and change.